Publications

Books

Hughes, D., Evans, M., Morrow, G., & Keith, S. (2016). The New Music Industries: Disruption and Discovery. Palgrave. ISBN-13: 978-3319403632

Book chapters

(in press) Collins, S., Keith, S., Renzo, A. & Mesker, A., 2024, “It sucks but this is the new reality”: The value of a stream’, in Anderton, C., James, M., Nordgård, D. & Pisfil, S. (eds.)  Intellect Handbook of Global Music Industries, Intellect 

Collins, S. & Keith, S. (2024) ‘Catalogue acquisitions: who wins?’, in Arditi, D. & Nolan, R. (eds.) The Palgrave handbook of critical music industry studies. Cham, Switzerland: Palgrave Macmillan. 

Keith, S. (2023), 'Academic Integrity in Creative Arts and Media', in Eaton, S.E. (ed.) Handbook of Academic Integrity, Springer.

Keith, S. (2023), 'Digital K-pop Fan Platforms in a Cosmopolitan World', in Y. Kim (ed.), Introducing Korean Popular Culture, Routledge, pp. 33–43.

Keith, S., Collins, S., Renzo, A. & Mesker, A. (2023), 'Slave to the 'rithm: the AI turn in the music industries', in Filimowicz, M. (ed.). AI and the future of creative work: algorithms and society. London; New York: Routledge, Taylor and Francis Group, p. 36-54.

Keith, S. (2022), ‘BTS as Cultural Ambassadors: K-pop and Korea in Western Media’. In Soft Power of the Korean Wave: Parasite, BTS and Drama, ed. Youna Kim, Routledge, pp. 155-167

Collins, S., Renzo, A., Keith, S. & Mesker, A. (2021), ‘Transformations and continuities in the mastering sector’, in Braddock, J. P., Hepworth-Sawyer, R., Hodgson, J., Shelvock, M. & Toulson, R. (eds.). Mastering in music. London ; New York: Routledge, Taylor and Francis Group, p. 249-263.

Keith, S. and Mesker, A. (2020), 'Ghost Singers: the singing voice in Korean pop cinema', in Hughes, D., & Evans, M. (Eds.) The Singing Voice in Contemporary Cinema. Genre, Music and Sound Series, Equinox. ISBN-13: 978- 1781791127

Keith, S. (2019), ‘K-pop Fandom in Australia’, in Australian Fandom: Online, Offline and Transcultural Spaces, eds. Celia Lam and Jackie Raphael, University of Iowa Press

Keith, S. (2019) ‘“Becoming-a-fan” stories: Hallyu in Australia’, in Transcultural Diffusion: Regional Fandom Formation and the Globalization of Hallyu, eds. Gil-Sung Park and Ingyu Oh, University of Korea Press

Keith, S. (2019) ‘Absurdity and nostalgia: Humor in K-pop’, in The Routledge Companion to Popular Music and Humor, eds. Thomas M. Kitts & Nick Baxter-Moore, Routledge

Keith, S. (2018) ‘“Awesome Singing”; Dami Im and the politics of Australian pop stardom’, in Notable Australian Albums 1967–2016, eds. Jon Stratton and Jon Dale with Tony Mitchell, Bloomsbury

Keith, S. and Lee, Sung-Ae (2018) ‘Legend of the Blue Sea: mermaids in South Korean folklore and popular culture’. In Scaled for Success: The Internationalisation of the Mermaid, ed. Philip Hayward, Indiana University Press, pp. 69–88.

Keith, S. (2018) ‘Popular music and Korean learning: K-pop in Australia’, in Multilingual Sydney. Benson, P., Chik, A. & Moloney, R. (eds.). Routledge, Taylor & Francis Group, pp. 79–90.

Giuffre, L & Keith, S (2014), 'SBS PopAsia: Non-stop K-Pop in Australia', K-pop – The International Rise of the Korean Music Industry, eds. Roald Maliangkay & JungBong Choi, Routledge, pp. 81–97. ISBN: 9781138775961

Hughes, D & Keith, S (2014) 'Assessment Practices and Discipline Specific Capabilities in Contemporary Music Studies', Assessment In Music, eds. Melissa Cain & Scott Harrison, Springer, pp.171–194. ISBN-13: 978-3319382166

Keith, S (2014), 'Perfect star, perfect style: Lip-syncing in J-pop', Voice, Presence, Absence, ed. Malcolm Angelucci and Chris Caines, UTS ePress, Sydney, Australia, pp. 50–62. ISBN: 978-1-86365-431-9

Journal articles

Keith, S. (2024) New toys, new apps, new idols: K-pop's AI imaginary, Brazilian Creative Industries Journal 4(2), pp. 13-40.

Keith, S. and Collins, S. (2023) '"Must know Photoshop": proprietary skills and media jobs in Australia', Media International Australia, 189(1) pp. 120-136, https://doi.org/10.1177/1329878X221099046

Keith, S., Collins, S., Renzo, A. & Mesker, A. (2022) 'Industry standard? Technocapitalist depictions of music production', Creative Industries Journal (E-pub ahead of print), https://doi.org/10.1080/17510694.2021.1939540

Hughes, D. and Keith, S. (2019) 'Aspirations, considerations and processes: Songwriting in and for popular music education', Journal of Popular Music Education 3, pp. 87–103.

Collins, S., Renzo, A., Keith, S., and Mesker, A. (2019), ‘Mastering 2.0: The Real or Perceived Threat of DIY Mastering and Automated Mastering Systems’, Popular Music and Society

Keith, S. & Hughes, D (2016), 'Embodied Kawaii: Girls' voices in J-pop', Journal of Popular Music Studies, 28:4, pp. 474-487

Hughes, D & Keith, S (2015), 'World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices', Journal of World Popular Music, 2:1, pp. 78-100

Keith, S, Hughes, D, Crowdy, D, Morrow, G & Evans, M (2014) 'Online and Offline: Liveness in the Australian Music Industries', Civilisations: Revue Internationale D'Anthropologie et de Sciences Humaines, (13), pp. 221-242

Hughes, D, Keith, S, Morrow, G, Evans, M & Crowdy, G (2013) 'What constitutes artist success in the Australian music industries?' Journal of Music Business Research, 2:2, pp. 61-80

Keith, S (2013), ''Half of it is just the fun of finding the right music': Music and the films of Adam Curtis', Studies in Documentary Film 7.2, pp. 161-178

Hughes, D & Keith, S (2012), 'Creating space for where ancestors once walked: the singer-songwriter as cultural identity', Journal of Creative Communication, 7:3, pp. 177-190

Keith, S (2012), 'Coles, Woolworths, and the local', Locale: The Australasian-Pacific Journal of Regional Food Studies, n2

Keith, S (2012), '"Like him or loathe him": Critical reactions to André Rieu in Australia', Perfect Beat, v13n1

Keith, S., Scannell, J. & Shepherd, B. (2011), ‘Editorial: negotiating the unacceptable’, in : Scan : journal of media arts culture, 8(1).

Other publications

Academic Integrity in the Creative Arts (2022), commissioned resource for TEQSA (Tertiary Education Quality and Standards Agency): https://www.teqsa.gov.au/latest-news/publications/academic-integrity-creative-arts 

Refereed conference proceedings

Mesker, A. & Keith, S. (2012), ‘OSynC: cross-application performance synchronisation of beat-driven musics’, Proceedings of Australasian Computer Music Conference 2012. Brisbane: Griffith Conservatorium, p. 1-6

Keith, S. (2011), ‘An organic system for tonal composition’, Proceedings of Australasian Computer Music Conference: Organic Sounds in Live Electroacoustic Music. Auckland: Australasian Computer Music Association, 6 p.

Keith, S. (2010), ‘Bridging the gap: thoughts on computer music and contemporary (popular) electronic music’, Proceedings of Australasian Computer Music Conference, pp. 37-42.

Keith, S. (2009), ‘A Generative environment for performing contemporary electronic music’, Proceedings of Australasian Computer Music Conference, pp. 20-25.

Keith, S. (2009), ‘Controlling live generative electronic music with Deviate’, Proceedings of the 9th International Conference on New Interfaces for Musical Expression, Dannenberg, R. B. & Ries, K. D. (eds.). Pittsburgh, PA, USA: Carnegie Mellon University, pp. 54-55.

Keith, S. (2008), ‘Universes of belief: a context-focused framework for performance design’, Proceedings of Australasian Computer Music Conference, pp. 31-36.